Tuesday, October 17, 2017

The "CTI 50th Anniversary Special Collection" brings 60 titles!

The "CTI 50th Anniversary Special Collection," that celebrates the legacy of Creed Taylor's label, will be released next November & December in Japan, with nothing less than 60 titles distributed by King Records. Actually, 40 CDs will be out in December, and 20 others in November as part of the "CTI + RVG" series, re-printing the albums originally remastered by Rudy Van Gelder, under Creed Taylor's direct supervision, in 2009.

This batch includes three albums reissued on CD for the very first time anywhere in the world:
- George Benson's "Pacific Fire" (originally released in 1993, including tracks recorded in the same sessions that yielded the "Good King Bad" album in 1976; featuring Roland Hanna, David Matthews, Steve Gadd, Gary King, Fred Wesley, Michael Brecker, David Sanborn etc; until now, only the track "Knock On Wood," which I included in my compilation "CTI Acid Jazz Grooves" released in 1997, had been released on digital format)
- George Benson's "Space" (originally released in 1977, featuring a vocal track from the "Good King Bad" sessions, Isaac Hayes' hit "Hold On, I'm Coming"; there's also an alternate mix of "Summertime" (with a horn section) and of other tunes which were part of the "In Concert - Carnegie Hall" album)
- Idris Muhammad's "Boogie To The Top" (the follow-up to "Turn This Mutha Out" and Idris' final album for CTI's main subsidiary label, Kudu; produced & arranged by David Matthews, former James Brown's musical director, it's a funk-disco-oriented project featuring Jeremy Steig, Nicky Marrero, Hugh McCracken, Clifford Carter, Will Lee et al)
Among the 60 titles there are also the first CD reissues in Japan of Joe Farrell's "Canned Funk" (previously released in the U.S. by the Wounded Bird label in 2011, with that iconic Pete Turner image used as the cover photo of "The Color Of Jazz," the last book released by the genius photographer), Hubert Laws' "Morning Star" (featuring the wondrous title track written by Rodgers Grant, with arrangements by Don Sebesky and appearances by Bob James, Ron Carter, Billy Cobham, Ralph MacDonald and Debra Laws, previously released only in the USA by Sony), Hank Crawford's "We Got A Good Thing Going" (with Sebesky, Bob James, George Benson) and two Esther Phillips' albums -- "Alone Again" and "Capricorn Princess" -- available on CD only in Europe by Reel Music.

There are also eagerly awaited new reissues of rare gems like Roland Hanna's "Gershwin Carmichael Cats" (with Chet Baker, Larry Coryell, Don Sebesky), the Chet Baker/Jim Hall/Hubert Laws reunion on "Studio Triste" (arranged by Sebesky, with Steve Gadd, Jorge Dalto, Kenny Barron, George Mraz, Gary King, Sammy Figueroa, Jack Wilkins), and two masterpieces by the CTI All Stars: "California Concert" (a 2-LP set turned into a single CD) and "CTI Summer Jazz At The Hollywood Bowl" (a 3-LP set transformed on a 2-CD set).
The complete list:

CTI 2017 – DECEMBER 06, 40 titles
Hubert Laws: Afro-Classic (KICJ 2590)
Hubert Laws: In The Beginning (KICJ 2591)
Hubert Laws: Carnegie Hall (KICJ 2592)
Hubert Laws: The San Franncisco Concert (KICJ 2593)
Hubert Laws: Morning Star (KICJ 2594)
Freddie Hubbard & Stanley Turrentine: In Concert Vol. 1 (KICJ 2582)
Freddie Hubbard & Stanley Turrentine: In Concert Vol. 2 (KICJ 2583)
Paul Desmond: Pure Desmond (KICJ 2596)
David Matthews: Shoogie Wanna Boogie (KICJ 2580)
Roland Hanna: Gershwin Carmichael Cats (KICJ 2599)
Deodato/Airto: In Concert (KICJ 2581)
CTI All Stars: California Concert (KICJ 2561)
CTI All Stars: CTI Summer Jazz At Hollywood Bowl (KICJ 2563)
Idris Muhammad: Boogie To The Top (KICJ 2566)
Gabor Szabo: Rambler (KICJ 2571)
Esther Phillips: Alone Again (KICJ 2567)
Esther Phillips: Capricorn Princess (KICJ 2568)
Esther Phillips: Performance (KICJ 2569)
Esther Philips: Black Eyed Blues (KICJ 2570)
Ron Carter: Yellow & Green (KICJ 2600)
Ron Carter: Anything Goes (KICJ 2601)
Ron Carter: Blues Farm (KICJ 2602)
Milt Jackson: Goodbye (KICJ 2597)
Art Farmer/Joe Henderson: Yama (KICJ 2565)
Gerry Mulligan & Chet Baker: Carnegie Hall Concert (KICJ 2572)
Chet Baker, Jim Hall & Hubert Laws: Studio Trieste (KICJ 2573)
Freddie Hubbard: Straight Life (KICJ 2595)
Yusef Lateef: Autophysiopsychic (KICJ 2598)
Joe Farrell: Canned Funk (KICJ 2574)
Patti Austin: Live At The Botton Line (KICJ 2584)
Hank Crawford: We Got A Good Thing Going (KICJ 2585)
Hank Crawford: Cajun Sunrise (KICJ 2586)
Hank Crawford: Don’t You Worry ‘Bout A Thing (KICJ 2587)
Hank Crawford: Help Me Make It Through The Night (KICJ 2588)
Hank Crawford: Hank Crawford’s Back (KICJ 2589)
Johnny Hammond: Wild Horses Rock Steady (KICJ  2579)
George Benson: Space (KICJ 2575)
George Benson: Pacific Fire (KICJ 2576)
George Benson: Beyond The Blue Horizon (KICJ 2577)
George Benson & Joe Farrell: Benson & Farrell (KICJ 2578)
Johnny Hammond: Wild Horses Rock Steady (KICJ  2579)
NOVEMBER 15, 20 titles (CTI+RVG アルティメット・リマスタリング・シリーズ) All remastered in 2009 by the late legendary engineer Rudy Van Gelder!
Jim Hall: Concierto (KICJ 2541)
Art Farmer & Jim Hall: Big Blues (KICJ 2542)
Eumir Deodato: Deodato 2 (KICJ 2543)
Eumir Deodato: Prelude (KICJ 2544)
Freddie Hubbard: Red Clay (KICJ 2545)
Bill Evans: Montreux II (KICJ 2546)
George Benson: In Concert – Carnegie Hall (KICJ 2547)
Ron Carter: All Blues (KICJ 2548)
Ron Carter: Spanish Blue (KICJ 2549)
Airto: Fingers (KICJ 2550)
Antonio Carlos Jobim: Stone Flower (KICJ 2551)
Astrud Gilberto: Gilberto with Turrentine (KICJ 2552)
Patti Austin: End Of A Rainbow (KICJ 2553)
Nina Simone: Baltimore (KICJ 2554)
Hubert Laws: The Rite Of Spring (KICJ 2555)
Hubert Laws: Chicago Theme (KICJ 2556)
Lalo Schifrin: Towering Toccata (KICJ 2557)
Fuse One: Fuse (KICJ 2558)
Milt Jackson: Sunflower (KICJ 2559)
Stanley Turrentine: Sugar (KICJ 2560)
                        (Rudy Van Gelder & Creed Taylor)

Thursday, October 12, 2017

7 Virtual Jazz Club's Global Online Jazz Contest 2017 Edition


7 Virtual Jazz Club's Global Online Jazz Contest 2017 Edition - Total ‎€ 7,000 In Prizes
The preselections just began. A grand prize of € 4,000 will be awarded to the winner. Deadline: November 5th!

The 7 Virtual Jazz Club continues its worldwide search for emerging and under recognized creative musicians & singers from all ages and backgrounds. The winner will receive € 4,000, while another € 2,000 will go to the best new talent (the “Best New Talent” is a musician—soloist or band member—who is considered the best musician by the jury, even if he or she doesn't reach the finals) and the musicians who tally the most popular votes by the web community will receive € 1,000.
To enter the contest, soloists and groups pay a small registration fee and submit a video (maximum seven minutes) of their performance. Entries will be judged by a panel of international jazz experts (meet the experts) comprised of some of the most respected journalists, musicians and educators in the field.

The contest is a unique musical competition for solo artists, bands, and singers from all over the world.

ENTER NOW http://www.7virtualjazzclub.net/
Deadline: November 5, 2017

Prizes and winners of the 1st edition of the 2016 contest:
1st prize: € 4,000 to Nicole Johanntgen (CHE)
2nd prize: € 2,000 to The Jazz Fingers (ESP)
3rd prize: € 1,000 to Miguel Andrés Tejada (DOM)

International judging Panel: 2017 Edition
Clarence Chang (Ceo of Jazz World- Producer) Hong Kong
Eddy Determeyer (journalist and broadcaster) Netherlands
Marcela Breton (journalist, member of the Jazz Journalist Association) Colombia
Hryar Attarian (journalist for All About Jazz) USA
Nick Davies (journalist for All About Jazz- Radio speaker) UK
Fernando R. de Mondesert (art director “Jazz En Domenicana, member of the Jazz Journalist Association) Dominican Republic
José Deluna (teacher and musician) Spain
Dubi Lenz (journalist, broadcaster, art director “The Red Sea Jazz Festival”) Israel
Dmitry Baevsky (musician and teacher) Russia
Arnaldo DeSouteiro (member of JJA- NARAS-Grammy voting member- founder of the Jazz Station Records label) Brazil
Ares Tavolazzi (musician and teacher) Italy
Aurélien Pitavy (Art director of Charlie Free- Le Moulin à Jazz) France
Debbie Mari (musician and teacher at the UKZN- School of Music Jazz Studies) South Africa
Greg Stott (musician and teacher at the Australian National University) Australia
Jeri Brown (musician and teacher at the Concordia University Montreal) Canada
About the 7 Virtual Jazz Club

The 7 Virtual Jazz Club is a non-profit all volunteer association dedicated to support jazz music in all its forms. The 7 Virtual Jazz Club website hosts the first fully global online jazz competition in history. The contest welcomes musicians of all ages. Musicians may be amateurs or professionals. Our aim is to unearth hidden musical talent focusing on the new trends that have emerged in jazz.

http://www.7virtualjazzclub.net/

Monday, October 9, 2017

R.I.P.: Grady Tate (1932-2017)

(born Grady Bernard Tate on January 14, 1932 in Durham, North Carolina; died on October 8, 2017 in New York, NY.

Pics with my friend Grady Tate from the day we met for the first time, in 1979, after years listening to him as the superdrummer on hundreds of albums I loved (and forever will love), including most of Creed Taylor's productions for Verve and A&M/CTI with such artists as Wes Montgomery (Bumpin', Tequila, A Day In The Life, Down Here On The Ground, Road Song), J.J. Johnson & Kai Winding (Stonebone, Israel), Quincy Jones (Walking In Space, Gula Matari), Jimmy Smith (the Grammy-winning The Cat), Lalo Schifrin (Marquis de Sade, New Fantasy and many others), Donald Byrd, Cal Tjader, Gary McFarland, Kenny Burrell, Bill Evans & Claus Ogerman (one of my desert island discs, Bill Evans With Symphony Orchestra), Astrud Gilberto (Beach Samba), Stan Getz (Sweet Rain), Nat Adderley (You Baby), Herbie Mann (Glory Of Love) etc;

...Besides his solo albums as a tremendous baritone singer and over 500 recordings for people like Aretha Franklin, Johnny Hodges, Oliver Nelson, Billy Taylor, Ron Carter, Gabor Szabo, Roberta Flack, Houston Person, Joe & Bing, Paul Simon, Lou Donaldson, Shirley Scott, Donny Hatthaway, Jack McDuff, Chick Corea, Freddie Hubbard, Blossom Dearie, Arif Mardin, Urbie Green, Lena Horne, Michel Legrand (my favorite Twenty Songs Of The Century plus the superb live albums for Gryphon, Live At Jimmy's and Michel Legrand And Friends), Hank Jones, Gato Barbieri, Lionel Hampton, Gerry Mulligan, Oscar Peterson, Stephane Grappelli, Zoot Sims (including my favorite The Gershwin Brothers), Hugo Montenegro, Cannonball Adderley, Nancy Wilson, Grant Green, Lou Rawls, Eroll Garner, Dizzy Gillespie, Franco Ambrosetti & Don Sebesky, Carly Simon, Mark Murphy (Living Room), Sarah Vaughan (including Copacabana aka Exclusivamente Brasil), Antonio Carlos Jobim (one track, Double Rainbow aka Children's Games on Terra Brasilis), and even Joao Gilberto (The Best Of Two Worlds and Amoroso.) The list goes on and on.

After that meeting, of course he would recorded at least more 200 albums (from Peggy Lee to Manhattan Transfer, from Jessye Norman to Grover Washington, Jr.) starting with Sarah Vaughan's Copacabana aka Exclusivamente Brasil, cut one week later!

And I treasure specially his playing on fantastic symphonic albums from the Jazz Meets The Symphony series and one great DVD with Lalo Schifrin, the LaserDisc with Simon & Garfunkel live at Central Park, the haunting interview for the brilliant documentary movie about Gary McFarland that was issued on DVD, and the historic concert with Miles Davis & Quincy Jones playing Gil Evans' charts at Montreux Jazz Festival in 1991.

What a HUGE legacy!




 

Thursday, October 5, 2017

"Celebrating Lalo Schifrin" this Saturday

IN 2 DAYS ! Celebrating Lalo Schifrin: An 85th Birthday Concert
THIS Saturday, Oct. 7. Simply LEGENDARY.

Limited supply of TIX still available. bit.ly/AlexTheatre_MusiciansatPlay.

Conducted by Chris Walden, Hosted by Robert Townson, Sara Andon, Flute.
With Special Guests: Michael Giacchino, Alan & Marilyn Bergman, Sandra Booker, Steve Tyrell, Denise Donatelli, and Brett Ratner.

Airto Moreira Band live on Oct 7!

People in the Oregon, Washington area... come and check out the show.
A very rare chance to attend a live performance by living legend Airto Moreira!

Tuesday, October 3, 2017

Lalo Schifrin's 85th Birthday Concert @ Alex Theater, Oct 7

SATURDAY, OCT 7, 8 PM! 
CELEBRATING LALO SCHIFRIN 
85th BIRTHDAY CONCERT

ALEX THEATER
216 N. Brand Blvd., Glendale, CA. 91203

There are still just a few tickets left for this historic concert!

Tickets: http://www.alextheatre.org/event/musicians-at-play-present-celebrating-lalo-schifrin-85th-birthday-concert

Musicians at Play and AFM 47's Music Fund Los Angeles and Varèse Sarabande are honored to present Lalo Schifrin’s 85th Birthday Concert on October 7th 2017 at the historic Alex Theatre in Glendale. Guest Conductor Chris Walden will lead an all-star big band and special guests in celebrating Lalo’s life, artistry, and esteemed body of work. Flutist Sara Andon will solo with the band for a pair of historic Schifrin pieces.

Additional special guests include Michael Giacchino, Alan Bergman, Steve Tyrell, Denise Donatelli, Sandra Booker and Brett Ratner.

Lalo Schifrin is a venerated composer, conductor, pianist, and jazz musician. He has written classic television themes and over 100 film scores including Mission: Impossible, Mannix, Bullitt, Cool Hand Luke, The Cincinnati Kid, The Competition and so many more. His five Grammys, one Cable ACE Award, and six Academy Award nominations is a testament to his impact on the music industry.The evening will be hosted by Robert Townson.

Proceeds will go to support music education in schools and aide for professional musicians in crisis.

ALL-STAR BIG BAND:
Saxophones:
Jeff Driskill, John Yoakum,
Brian Scanlon, Kevin Garren,
Jay Mason

Horns:
Joe Meyer, Lizzie Upton
John Dickson, Katy Robinson

Trombone:
Alan Kaplan, Charlie Morillas,
Ryan Dragon, Craig Gosnell

Trumpet:
Dan Fornero, Michael Stever,
Jeff Bunnell, Dan Savant

Bass:
Michael Valerio

Drums:
Bernie Dresel

Percussion:
Brian Kilgore

Piano and Keyboards:
Mike Lang

Guitar:
Andrew Synowiec

Flute Soloist:
Sara Andon

Vocalists:
Alan Bergman, Sandra Booker
Steve Tyrell, Denise Donatelli

- FB Friends discount CODE: AFM47
- VIP tickets with AWESOME perks available as well for this very important benefit concert!

Check out all tickets still available:
Tickets: http://www.alextheatre.org/event/musicians-at-play-present-celebrating-lalo-schifrin-85th-birthday-concert

COME SUPPORT MAESTRO LALO SCHIFRIN AND LIVE MUSIC AND MUSIC EDUCATION IN THE SCHOOLS!

HOPE TO SEE YOU THERE!

Monday, October 2, 2017

Lalo Schifrin rehearsing with Sara Andon

On SATURDAY, OCT 7 at 8 PM at the beautiful and historic ALEX THEATER in Glendale, CA, I so hope you can join me for this amazing concert honoring the living legend, composer, conductor, pianist Lalo Schifrin! The picture shows him rehearsing with flutist Sara Andon, one of the guests.

He is one of the world's most celebrated and greatest musicians of our time. This is also an incredibly important benefit concert, raising money for music education in the schools and helping musicians' in crisis local 47 Musicians' Fund.

The phenomenal organizations Musicians at Play, Professional Musicians' Local 47, and Varèse Sarabande Records have put endless hours to organize and present this once-in-a-lifetime concert featuring the iconic music of LALO performed by a big band of some of LA's hottest jazz stars, conducted by the uber-talented Chris Walden.

To join them are many dazzling special guests, including Michael Giacchino, Alan and Marilyn Bergman, vocalists, Steve Tyrell, Sandra Booker and Denise Donatelli, hosted by Varèse Sarabande's producer, Robert Townson.

Please invite family, friends, students and anyone that you think might enjoy this epic and truly historic concert - a good time will be had by all! <3 nbsp="" p="">
Really hope to see you there!!

Sunday, October 1, 2017

Brazilian Music CD of the Month - "Antonio José Forte: Pandeiro"

Brazilian Music CD of the Month
Antonio José Forte: "Pandeiro" (Fundação Demócrito Rocha DR003)
Rating: ***** (musical performance & sonic quality)

Produced by Airton Montezuma
Music Director: Antonio José
Recorded by Airton Montezuma @ Planeta Studio and Vila Studio (Fortaleza, Ceará, Brazil)
Mixed by Adelson Viana & Antonio José @ Vila Studio
Mastered @ Pró Audio Studio

Illustration: Arlene Holanda
Photos: Caú Borges
Director Of Photography: Karine Alexandrino
Artwork: Arlene Holanda, Deglaucy Jorge
Graphics: Roberto Santos
Liner Notes: Antonio José

Arranged by Antônio José
Featuring: Antonio José (piano), Adelson Viana (accordion & keyboards), Aroldo Araujo (bass), Pardal (cavaquinho), Carlinhos Ferreira (clarinet & alto sax), Cristiano Pinho Pessoa and Claudio Costa (guitars), Luizinho Duarte (pandeiro & guitar)

Vocal CD of the Month - "Talinka"

Vocal CD of the Month
Talinka: "Talinka" (MoonJune Records MJR086) 2017
Rating: **** (musical performance & sonic quality) 

Produced by Gilad Atzmon
Recorded by Ben Lamdin at The Fish Factory Studio (London, UK) in November 2016
Mixed by Ben Lamdin at The Fish Factory Studio (London, UK) in January 2017
Mastered by Andrew Tulloch
Cover image: Tali Atzmon
Band photos: Chiara Ceolin
Cover design: Mai Atzmon

Featuring: Tali Atzmon (vocals), Jenny Bliss Bennett (viola da gamba, violin, flute, vocal), Gilad Atzmon (bass clarinet, soprano sax, accordion), Yaron Stavi (acoustic bass)
Guests: Frank Harrison (piano), Enzo Zirilli (percussion)

"Talinka - such an evocative name - wittily appropriate for this intimate set so sensitively arranged around Tali's straight from the heart, true and soulful voice. Since hearing Ms. Atzmon's discrete contributions to records by Gilad Atzmon and friends I've long wished she would make a record revealing her own deeply personal approach to music, and here, at last, is that record." - Robert Wyatt 

Led by vocalist Tali Atzmon, the group Talinka creates a new distinctive sound that explores the diverse musical journeys of four British musicians, each already distinguished in their fields. Tali Atzmon was a renowned actress and singer in Israel; Jenny Bliss is a baroque virtuoso artist who plays viola da gamba, baroque violin, flute and sings on the album; Yaron Stavi is one of the leading double bass players in Europe and Gilad Atzmon is an internationally acclaimed jazz saxophonist, performing here on bass clarinet, soprano saxophone and accordion.

Talinka transcends boundaries creating a natural continuum between folk, jazz, tango and early music. The unusual choice of instruments and combination of personalities create an amalgam of past and present, East and West. The album features seven original compositions, including Tali Atzmon’s soulful songs ‘Losing Vision’, ‘When You’re Gone’ and ‘Every Now and Then’. “I wrote the song ‘Losing Vision’ in response to the Syrian refugee crisis, she says, “The bass clarinet together with the viola da gamba create a primordial auditory realm that evokes a deep sense of Sisyphean existential struggle yet a cry for a change.” The album also features unique interpretations of Billie Holiday's "Don’t Explain" and of the standard "You Don’t Know What Love Is" (Don Raye/Gene DePaul.)

“For us, the love of music extends beyond style and genre. We believe in songs and beauty being vital forces of nature. We adhere to simplicity, harmony and warmth. The outcome is a natural breathing, deep and spacious sonic adventure,” says Tali Atzmon. Amen.

Masterpiece of the Month - "Jane Ira Bloom - Wild Lines: Improvising Emily Dickinson"

Masterpiece of the Month
Jane Ira Bloom: "Wild Lines: Improvising Emily Dickinson" (Outline OTL 143, 2-CD set)
Rating: ***** (musical performance & sonic quality)

Produced by Jane Ira Bloom & Jim Anderson
Recorded & Mixed by Jim Anderson @ Avatar Studios (New York, NY) on April 1, 2017
Assistant Engineers: Nate Odden & Luke Klingensmith
Mastered by Alan Silverman @ Arf! Mastering (NYC, NY)
Editor: Ulrike Schwarz
Post Production Director, Art Direction & Graphic Designer: Christopher Drukker
Cover Painting: "Duet" by Gina Werfel
Liner & Back Photos: Erika Kapin, Lucy Gram, Chip Cronkite

All tunes by Jane Ira Bloom, except "It's Easy To Remember" (Richard Rodgers & Lorenz Hart)
Readings from poetry & prose by Emily Dickinson and adapted from "Emily Dickinson and The Art of Belief" by Roger Lundin
"Wild Lines" was made possible with support from Chamber Music America's 2015 New Jazz Works Program funded through the generosity of the Doris Duke Charitable Foundation

Featuring: Jane Ira Bloom (soprano sax), Dawn Clement (acoustic piano), Mark Helias (acoustic bass), Bobby Previte (drums), Deborah Rush (voice)

Jane Ira Bloom does it again. This time the 21st-century soprano saxophonist reimagines the poetry of 19th-century visionary Emily Dickinson in two different settings. Her new 2-Cd pack showcases her jazz quartet's interpretation of Dickinson's poetry and includes a second version for jazz quartet and spoken word featuring readings by popular stage & film actor Deborah Rush.

After the success of her 2016 trio album release "Early Americans," Bloom shifts gears with "Wild Lines / Improvising Emily Dickinson" (OTL143) showcasing her acclaimed quartet in dialogue with poetry in her seventeenth album and first foray into music and text. Her sound is like no other on the straight horn and she lets it fly with long-time band mates Dawn Clement (piano), Mark Helias (bass) & Bobby Previte (drums). Adding the Emily Dickinson narrative to the ensemble on disc 2 is acclaimed actor Deborah Rush.

Bloom composed "Wild Lines" when she was awarded a 2015 CMA/ Doris Duke New Jazz Works commission. She was inspired to musically reimagine Dickinson when she learned that the poet was a pianist and improviser herself, reconfirming what she'd always felt in the jazz-like quality of Dickinson's phrasing. "I didn't always understand her but I always felt Emily's use of words mirrored the way a jazz musician uses notes," Bloom states.

"Wild Lines" premiere at the poet's home in Amherst, MA was followed by performances at the Kennedy Center and the NYPL for the Performing Arts. The ensemble then headed into Avatar Studios to record in stereo and surround-sound with renowned audio engineer Jim Anderson. The album features fourteen Bloom originals inspired by fragments of Dickinson poetry and prose mined from both her collected works and envelope poems The Gorgeous Nothings.

The album closes with a solo rendition of an American classic, Rodgers & Hart's "It's Easy To Remember." Artist Gina Werfel contributes a stunning motion painting for the CD's cover image. "Wild Lines / Improvising Emily Dickinson" illuminates why jazz critic Brian Priestly called Jane Ira Bloom the poet of the soprano saxophone.

Saturday, September 30, 2017

Alan Bergman & Tierney Sutton Sing The Songs Of Alan & Marilyn Bergman, Oct 9

JAZZ BAKERY BENEFIT:
ALAN BERGMAN +TIERNEY SUTTON
SING THE SONGS OF ALAN + MARILYN BERGMAN
BILL CANTOS-PIANO TREY HENRY-BASS

09 Oct 2017 7:30 PM

VENUE: Moss Theater (New Roads School at The Herb Alpert Educational Village)
3131 Olympic Blvd. Santa Monica, CA 90404

The Oscar winning songs of Alan and Marilyn Bergman have been enriching the great American songbook for over five decades. As lyricists for film, stage, and television they have created unforgettable images... and along the way have enriched the repertoire of every major vocalist!

Alan Bergman's singing has now garnered well earned praise...
NY Times: Mr. Bergmans natural style suggests a merger of two of his idols, Johnny Mercer and Fred Astaire.... JazzIs: It would be hard to imagine anyone who could bring every phrase, every subtle nuance, every internal rhyme, every sly, inside joke, to life the way Bergman does.

Tierney Sutton was chosen by Clint Eastwood to write the lyrics to the end-title song Flying Home for the 2016 box-office smash, Sully. Tierney is known for her impeccable voice and imaginative treatments of The American Songbook. She is heralded for her jazz storytelling and ability to use her voice as an instrument.

We are incredibly lucky to have artists like Alan, Marilyn and Tierney as friends and supporters. Please join us for an intimate evening of songs to benefit the 2017 Jazz Bakery Performance Fund. We eagerly look forward to your participation in sustaining the programing you love.

To Benefit The Jazz Bakery Performance Fund:

$35 - Student (under 21, w/current ID)
$75 - General Admission
$150 - VIP I = Preferred Seating, Artist Reception
$250 - VIP II = VIP Parking, VIP Seating, Artist Reception
$500 - Sponsorship: VIP II plus recognition from the stage and in program
$2,000 - Inner Circle: One Inner Circle membership will provide two tickets to the event, Sponsorship & VIP II benefits, plus all the benefits of Inner Circle membership

Or send check to:
Jazz Bakery Office
1836 Benedict Canyon Dr.
Beverly Hills, CA 90210

Jazz at Princeton University's 2017-2018 Season – Gerald Clayton, Theo Bleckmann, Archie Shepp, Danilo Perez and more

Jazz at Princeton University Announces Broad and Dynamic 2017-2018 Season! October 14, 2017 - May 12, 2018
Guest artists include pianist Gerald Clayton and his trio, vocalist Theo Bleckmann, saxophonist Archie Shepp with Amina Claudine Myers, and pianist Danilo Perez
Faculty leading groups include Darcy James Argue, Jazz at Princeton head Rudresh Mahanthappa, Trineice Robinson-Martin and Jay Clayton

Jazz at Princeton University, helmed by acclaimed saxophonist/composer Rudresh Mahanthappa, presents a rich and varied 2017-2018 season, October 14, 2017 - May 12, 2018. Highlights include performances by student groups joined by guest artists including celebrated pianist Gerald Clayton, renowned vocalist Theo Bleckmann, saxophone legend Archie Shepp with Amina Claudine Myers, and venerable Panamanian pianist Danilo Perez.  

"I am thrilled to build upon what we started last year in presenting the myriad voices that make up this living art form of jazz," says Mahanthappa. "We have an exciting season on tap featuring some of the top jazz musicians in the world in performance with students, the continuing great work of ensemble directors vocalist Triniece Robinson and composer/arranger Darcy James Argue, and a new vocal improvisation group led by the world renowned Jay Clayton."

Jazz at Princeton has five major student ensembles: the Creative Large Ensemble directed by Darcy James Argue, two Jazz Small Groups directed by Rudresh Mahanthappa, the Jazz Vocal Collective directed by Trineice Robinson-Martin, and a new Vocal Improvisation Ensemble directed by Jay Clayton.

2017-2018 Season
                                Gerald Clayton  © Devin Dehaven

Saturday, October 14, 2017 - Special guest pianist/composer Gerald Clayton and his trio join Jazz at Princeton University students.
8:00 pm, Richardson Auditorium in Alexander Hall.  Tickets are $15, $5 for students, available at 609-258-9220, or online at tickets.princeton.edu

Four-time GRAMMY nominated pianist/composer Gerald Clayton formally began his musical journey at the Los Angeles County High School for the Arts, where he received the 2002 Presidential Scholar of the Arts Award. He earned a Bachelor of Arts in Piano Performance at USC's Thornton School of Music under the instruction of piano icon Billy Childs, after a year of intensive study with NEA Jazz Master Kenny Barron at The Manhattan School of Music. Clayton won second place in the 2006 Thelonious Monk Institute of Jazz Piano Competition. He has performed and recorded with such artists as Diana Krall, Roy Hargrove, Dianne Reeves, Ambrose Akinmusire, Dayna Stephens, Kendrick Scott, Terri Lyne Carrington, Avishai Cohen, and the Clayton Brothers Quintet. Since 2013, Clayton has toured and recorded with saxophone legend Charles Lloyd. 2016 marks his second year as Musical Director of the Monterey Jazz Festival On Tour, a project that has featured his trio along with Ravi Coltrane, Nicholas Payton, Terence Blanchard and Raul Midón. Clayton's discography as a leader includes his debut recording, Two Shade (ArtistShare), nominated for a 2010 GRAMMY Award. Clayton also received nominations in 2011, 2012, and 2013. His latest recording is the acclaimed 2016 Combinations. The son of beloved bass player and composer John Clayton, Gerald enjoyed a familial apprenticeship from an early age. He honors the legacy of his father and all his musical ancestors through a commitment to artistic exploration, innovation, and reinvention. www.geraldclayton.com.

Saturday, November 18, 2017 - Jazz at Princeton University Small Groups directed by Rudresh Mahanthappa
8:00 pm, Richardson Auditorium in Alexander Hall. Tickets are $15, $5 for students, available at 609-258-9220, or online at tickets.princeton.edu.

Few musicians share the ability of alto saxophonist/composer Rudresh Mahanthappa to embody the expansive possibilities of his music with his culture. What has materialized is a sound that hybridizes progressive jazz and South Indian classical music in a fluid and forward-looking form that reflects Mahanthappa's own experience growing up a second-generation Indian-American. The current manifestations of that trajectory include his latest project Bird Calls (2015), which was named #1 album of the year by both DownBeat and NPR Music's Jazz Critics Poll. Mahanthappa has been awarded a Guggenheim Fellowship, two New York Foundation for the Arts Fellowships, and numerous commissions. He has been named alto saxophonist of the year five of the past six years in Downbeat Magazine's International Critics Polls and for six years running by the Jazz Journalists' Association. In April 2013, he received a Doris Duke Performing Artist Award, one of the most prominent arts awards in the world. In 2015, he was named a United States Artists Fellow. In 2016, he was named the Director of Jazz and the Associate Director of the Program in Musical Performance at Princeton University. Agrima, the new recording with his Indo-Pak Coalition, will be released October 17.
                                          Theo Bleckmann  © Lynne Harty

Thursday, November 30, 2017 - Special guest vocalist/composer Theo Bleckmann joins the Jazz Vocal Collective directed by Trineice Robinson-Martin
7:30 PM, Taplin Auditorium in Fine Hall. Free and open to the public.

GRAMMY nominated jazz singer and new music composer Theo Bleckmann's diverse recorded work includes albums of Las Vegas standards, Weimar art songs, and popular "bar songs" (all with pianist Fumio Yasuda); a recording of newly-arranged songs by Charles Ives (with jazz/rock collective Kneebody); and his acclaimed "Hello Earth - the Music of Kate Bush." Bleckmann has appeared as a special guest on recordings by Ambrose Akinmusire for Blue Note Records and Julia Hülsmann's trio for ECM Records.

Bleckmann's most recent recording Elegy, produced by legendary ECM label head and founder Manfred Eicher, was released in January 2017 on the ECM label. Bleckmann has collaborated with musicians, artists, actors and composers, including Ambrose Akinmusire, Laurie Anderson, Uri Caine, Philip Glass, Ann Hamilton, John Hollenbeck, Sheila Jordan, Phil Kline, David Lang, Kirk Nurock, Frances MacDormand, Ben Monder, Michael Tilson Thomas, Kenny Wheeler, John Zorn, the Bang on a Can All-Stars, and, most prominently, Meredith Monk, with whom Bleckmann worked as a core ensemble member for over fifteen years. He has been interviewed by Terry Gross on NPR's Fresh Air and appeared on the David Letterman show with Laurie Anderson. In 2015, Bleckmann premiered a new work for the American Composers Orchestra at Carnegie Hall, and in 2016 he brought new work to the New York Philharmonic Biennial and the LA Philharmonic. Bleckmann has consistently appeared in the top-five spots in the DownBeat Critics' Polls for Best Male Vocalist, and top-ten spots in their Readers' Polls, and his work on Phil Kline's "Out Cold" helped place that production on WQXR's Operavore "Best Opera of 2012". In 2010, Bleckmann received the prestigious JAZZ ECHO award from the Deutsche Phono-Akademie in his native Germany.

Internationally recognized as one of the leading pedagogues in gospel and soul voice training and vocal technique, Dr. Trineice Robinson-Martin is a force within the academic, religious, and performance communities. Her pioneering scholarship on gospel vocal techniques and performance practices can be found in Journal of Singing, Teaching in the 21st Century ed. by Harrison and O'Brian; and So You Want to Sing Gospel and in upcoming publications Voice Training for the Gospel Soloist. Creator of Soul Ingredients(TM), Dr. Trineice holds doctoral and master's degrees from Teachers College Columbia University in music education with an emphasis in contemporary commercial music vocal pedagogy, and a master's degree in Jazz Studies from Indiana University-Bloomington. Her performance experience spans a variety of musical styles, venues and settings: the intimacy of private parties and local clubs, the grand stages of musical arts centers and large music festivals, and international stages. Dr. Trineice Robinson-Martin is the Executive Director of the African American Jazz Caucus, Inc.; serves on the national faculty of Gospel Music Workshop of America, Inc.; and is a certified instructor in Somatic VoiceworkTM the LoVetri Method. www.DrTrineice.com
                                       Archie Shepp  © Monette Berthomier

Saturday, December 2, 2017 - Special guest saxophonist Archie Shepp with pianist/organist/ vocalist Amina Claudine Myers join Princeton's Creative Large Ensemble directed by Darcy James Argue to perform music from Shepp's Grammy-nominated recording "I Hear the Sound."
8:00 pm, Richardson Auditorium in Alexander Hall. Tickets are $15, $5 for students, available at 609-258-9220, or online at tickets.princeton.edu

Saxophonist, composer, pianist, singer, politically committed poet, and playwright Archie Shepp is a legend. Born in 1937 in Fort Lauderdale, he grew up in Philadelphia, majored in theater at Goddard College and in 1959 moved to New York where he associated with artists such as Leroy Jones (Amiri Baraka), Ishmael Reed, Bob Thomson and William White. Shepp also performed with some of the most important musicians of the sixties: John Coltrane, Lee Morgan, Jimmy Heath, Freddie Hubbard, McCoy Tyner, Frank Zappa, Chico Hamilton, and others. His professional career as a musician began in that decade when he made two recordings with Cecil Taylor.

He created the New York Contemporary Five with John Tchicai and made four records for Savoy and Storyville. He recorded for Impulse and made 17 records among which Four For Trane, Fire Music, and Mama Too Tight are regarded as classics. His collaboration with John Coltrane materialized further with the recording of Ascension in 1965. Shepp was involved in the creation of the Jazz Composers Guild, formed by the trumpeter Bill Dixon, which was a major turning point in avant-garde music and included Carla and Paul Bley, Sun Ra, Roswell Rudd, Cecil Taylor and Albert Ayler. In 1969 he began teaching music at the State University of Buffalo where he was the first acting director of their Black Studies program. In 1971 he began teaching at the University of Massachusetts Amherst and retired as Professor Emeritus in 2002. Since 2000 Mr. Shepp has performed frequently in Europe. Since 2004 he has released a number of albums including the 2013 GRAMMY-nominated I HEAR THE SOUND, a new recording of the renowned Attica Blues. In 2016, Shepp received the NEA Jazz Master Award. He continues to compose and record and is preparing a new album to be released in 2018.

Vancouver-born, Brooklyn-based composer and bandleader Darcy James Argue has toured nationally and internationally with his 18-piece ensemble, Secret Society. Argue made his mark with his critically acclaimed 2009 debut Infernal Machines. 2013 saw the release of Brooklyn Babylon, which, like Infernal Machines before it, earned the group nominations for both GRAMMY and JUNO Awards. His most recent recording, Real Enemies, released in the fall of 2016, earned a third consecutive GRAMMY nomination. Secret Society maintains a busy touring schedule, with European, Canadian, and South American tours and four appearances at the Newport Jazz Festival. Argue has also toured Australia and New Zealand leading the Jazzgroove Mothership Orchestra. He has led performances of his music by the WDR Big Band, the Danish Radio Big Band, the Frankfurt Radio Big Band, the Cologne Contemporary Jazz Orchestra, the Big Band Palácio das Artes, and the West Point Jazz Knights.

Argue has composed works for chamber duo and string quartet, art songs for Newspeak, and created arrangements for the Atlanta Symphony. In 2015, Argue was awarded a Guggenheim Fellowship in Music Composition and a Doris Duke Artist Award. He has received commissions from the Fromm Music Foundation, the Jazz Gallery, the Manhattan New Music Project, the Jerome Foundation, and BAM, as well as ensembles including the Danish Radio Big Band, the Hard Rubber Orchestra, the West Point Jazz Knights, and the Orquestra Jazz de Matosinhos. He is the recipient of grants and fellowships from the New York Foundation for the Arts, New Music USA, the Aaron Copland Fund for Music, Composers Now, the Mid Atlantic Arts Foundation, the Canada Council for the Arts, and the MacDowell Colony.

Amina Claudine Myers is a pianist, organist, vocalist, composer, master improvisor, actress, and educator. She has performed nationally and internationally throughout Europe, Asia, Africa, Australia, and North America. Myers began singing and playing jazz in college and moved to Chicago in the sixties, where she taught in the public schools for six years and composed her first choir for a musical, "I Dream." In 1976 she moved to New York City and began writing music for theater, acting and composing for a number of off-Broadway productions.

Myers has recorded with Archie Shepp, Charlie Haden's Liberation Orchestra, James Blood Ulmer, Lester Bowie, Sonny Stitt, Anthony Braxton, Henry Threadgill, and others. She has released eleven recordings and composed many pieces for chamber orchestra, chorus, vocal and chamber ensembles, and big band. In 2010 she was commissioned by the Chicago Jazz Institute to compose a jazz orchestra piece in honor of Mary Lou Williams. Recent endeavors include performing original works of jazz, blues, gospel, spirituals, and improvisations for the pipe organ. Myers has received awards from the National Endowment for the Arts, Meet the Composer, and the New York Foundation for the Arts. She was inducted into the Arkansas Black Hall of Fame in 2001 and the Arkansas Jazz Hall of Fame in 2010.

Sunday, December 10, 2017 - Vocal Improvisation Ensemble directed by Jay Clayton
5 PM, Taplin Auditorium in Fine Hall. Free and open to the public.

Vocal innovator Jay Clayton shares her practice techniques and approach to free improvisation as well as fresh ideas for improvising over chord changes. One of the pioneering teachers of improvised vocal music, Clayton served as the director of the vocal department at Cornish College of the Arts for 20 years and was on the jazz faculty at Peabody Institute in Baltimore for 10 years.

Wednesday, December 13, 2017 - Jazz Small Groups directed by Rudresh Mahanthappa
7:30 PM, Taplin Auditorium in Fine Hall. Free and open to the public.
                                            Danilo Perez  © John Abbott

Saturday, February 24, 2018 - Special guest Danilo Perez performs with Jazz at Princeton University Small Groups
8:00 pm, Richardson Auditorium in Alexander Hall. Tickets are $15, $5 for students, available at 609-258-9220, or online at tickets.princeton.edu

Pianist, composer, educator and social activist Danilo Pérez is among the most influential and dynamic musicians of our time. Born in Panama in 1965, Pérez started his musical studies when he was three with his father, a bandleader and singer. By age 10, he was studying the European classical piano repertoire at the National Conservatory in Panama. After receiving his bachelor's degree in electronics in Panama, he studied jazz composition at Berklee College of Music.

While still a student, he performed with Jon Hendricks, Terence Blanchard, Slide Hampton, Claudio Roditi and Paquito D'Rivera. He soon toured and/or recorded with artists such as Dizzy Gillespie United Nations Orchestra from 1989-1992, Jack DeJohnette, Steve Lacy, Lee Konitz, Charlie Haden, Michael Brecker, Joe Lovano, Tito Puente, Wynton Marsalis, Tom Harrell, Gary Burton, and Roy Haynes. In 2000, Danilo joined Wayne Shorter to form Shorter's quartet with John Patitucci and Brian Blade. He also recorded a brilliant album with arranger extraordinaire Claus Ogerman for the Decca label, "Across The Crystal Sea," with guest appearances by Cassandra Wilson.

Pérez turned his focus to his own ensembles and recording projects, releasing eight albums as a leader, earning several GRAMMY and Latin GRAMMY nominations. In 1996 he was signed by producer Tommy Lipuma to join the Impulse label and recorded Panamonk, a tribute to Thelonious Monk. Providencia, his debut for Mack Avenue Records, was nominated for a 2011 GRAMMY Award. As a composer, he has received commissions from Lincoln Center, Chicago Jazz Festival, Imani Winds Quintet, Carnegie Hall, and The Banff Centre.

Pérez served as Goodwill Ambassador to UNICEF, and currently serves as UNESCO Artist for Peace, Cultural Ambassador to the Republic of Panama, Founder and Artistic Director of the Panama Jazz Festival, and Artistic Director of the Berklee Global Jazz Institute in Boston's Berklee College of Music. His latest album, Children Of The Light, a collaboration with fellow Wayne Shorter Quartet members John Patitucci and Brian Blade, was released on Mack Avenue in September of 2015.

Thursday, April 19, 2018 - Jazz Vocal Collective directed by Trineice Robinson
7:30 PM, Taplin Auditorium in Fine Hall. Free and open to the public.

Thursday, April 26, 2018 - Vocal Improvisation Ensemble directed by Jay Clayton
7:30 PM, Taplin Auditorium in Fine Hall. Free and open to the public.

Tuesday, May 1, 2018 - Jazz Small Groups directed by Rudresh Mahanthappa
7:30 PM, Taplin Auditorium in Fine Hall. Free and open to the public.

Saturday, May 12, 2018 - The Creative Large Ensemble directed by Darcy James Argue
8:00 pm, Richardson Auditorium in Alexander Hall. Tickets are $15, $5 for students, available at 609-258-9220, or online at tickets.princeton.edu.

Jazz at Princeton University serves to promote this uniquely American music as a contemporary and relevant art form.  Our goals are to convey the vast musical and social history of jazz, establish a strong theoretical and stylistic foundation with regard to improvisation and composition, and emphasize the development of individual expression and creativity. Offerings of this program include academic course work, performing ensembles, master classes, private study, and independent projects.